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Accueil > Drapeaux bretons > Gwenn ha du
 
 

THE GWENN HA DU, THE MODERN FLAG OF BRITTANY

The Gwenn ha du is the name of the Breton flag. This term means in Breton "white and black". It is a relatively recent flag in history, dating from 1923. Its colors and design incorporate the symbols used by Bretons for several centuries. It is used and recognized by all Bretons as the strong, unifying symbol of Brittany. Apolitical and aesthetic, it appears today outside all town halls and institutions. It represents Brittany and the Bretons throughout the world.

Morvan Marchal, creator of the Gwenn ha du

Morvan Marchal, creator of the modern Breton flag

Morvan Marchal (1900-1963) designed the modern version of the Gwenn ha du. An architect, he was a dedicated separatist and creating a modern flag for Brittany was an ambition of his. The flag was used in the Brittany house for the Exibition of Decorative Arts, in Paris 1925. The artistic movement "Seiz Breur", of which Morvan Marchal was a member, exhibited it.

Symbolic system of the Breton flag?

The Gwenn ha du is of simple design with its form and colours explained in the following way:

• The hermines represent ducal Brittany. There are eleven. Older versions recommend more, or recognized as having exact twisted héraldiquement). This last solution should be avoided. Heraldic Breton mouchetures of hermine are never crossed. Today the flags produced in Brittany systematically comprise eleven hermines. Though its significance is unknown, many old illustrations depict the flag with 11 hermines.

Giant Gwenn ha du in front of the Townhouse in Rennes

• The nine equal bands represent the 9 historical countries of Brittany. The 4 white bands represent the countries of Low-Brittany: Cornwall, Leon, Trégor and Vannetais. The 5 black bands represent the countries of High-Brittany: Nantes, Rennais, Saint-Brieuc, Saint-Malo and Dol. Some speak of "évêchés" rather than of countries, but this is not the same. The "evêchés" share the same borders as the countries but are of religious significance.

The explanation given by Morvan Marchal himself is as thus: "The top-left corner of the flag has a quarter of hermines innumerable. Nine equal bands alternatively black and white, traditional colors, the white representing countries where one speaks Breton - Leon, Trégor, Cornwall, Vannetais, and the black representing countries where Gallo is spoken - Rennes, Nantes, Dol, St Malo and Penthièvre. This flag, I repeat, is not a political flag, but the modern symbol of Brittany. It appears to constitute a perfectly acceptable synthesis of the traditional flag of ermines plain and a figuration of Breton diversity ".

 

SHOP:

Flag:
Breton flags

Gwen ha du

Book:
Emblèmes de Bretons et des Celtes

Livre Emblèmes des Bretons

Poster :
Posters of the European Nations and minorities

Poster des Nations et peuples d'Europe

Stickers:
Sticker BZH for cars

Autocollant BZH

Website:
Bannieloù Breizh, Vexillological and heraldical association of Brittany

To what does the Gwenn ha du refer?

When considering the symbolism of the Gwenn ha du today, one would think that Morvan Marchal's inspiration came from three or four principal elements:

• historical colors and symbols of Brittany: black and white and ermine.

• the form of what were considered as modern flags, the American Stars and Stripes, or the Greek flag, which contributed to the popularity of the Gwenn ha du among the younger generation of the general public.

• the coat of arms of the town of Rennes. Many flags borrow the design of the flag of its capital. For example the French flag takes as a starting point the the colors of the town of Paris. There could be the case of the Breton flag using as a starting point the colours of one of its capitals.

• Lastly, an Irish family of the name of Marshal, homonym of Morvan Marchal, has a coat of arms resembling the Gwenn ha du. A coincidence?

Who today can affirm that one of these assumptions is real without verifiable biographical evidence? One can easily imagine, however, that at least one of these elements were determining factors in the creation of the modern flag of Brittany.

Chronological history of the Gwenn ha du?

Photo of the Breton flag

• In 1925, the Gwenn ha du is unveiled at the Exhibition of Decorative Arts in Paris.

• In 1927, the Breton political movements (whose Parti Autonomiste Breton) adopt Gwenn ha du, as the national flag of Brittany. After this date it is also largely used by the Breton cultural organizations, in particular in the Celtic Circles, which carry the Gwenn ha du at the head of processions. It was quickly identified as the Breton flag in foreign vexillological books.

Pardon de la Saint-Yves
Saint-Yves Pardon in Arènes de Lutèce (Paris), 1960

• In 1937, an alternative is unveiled in Paris, at the international exhibition devoted to "Arts and techniques in modern life". This version was drawn by Charles Couësnon.

• Prohibited for many years by the French State which did not support any reference to Brittany, it was necessary to await the middle of the Sixties before finally being able to hoist the Breton flag without obstacle or reprisal.

The Gwenn ha du on the cathedral Notre-Dame in Paris (3/10/1972)

• In the Sixties (workers' strikes, student demonstrations, Breton movements...), it re-appears amid much publicity (for example on a lathe of the Cathedral Notre-Dame in Paris). Religious organizations and political bodies use it more and more.

Ben Harper in Erer kozh Music festival in Brittany (1999) in front of the Breton flag

• With the resurgence of interest in Breton culture among Bretons, young and old, the flag flies outside town halls, the General Councils (consisting that of Loire-Atlantique, which asserts its inclusion in Brittany), the Regional Council of Brittany and at many festivitals and events... The Gwenn ha du finally arrived in the fields of officialdom!

Breton historical flags

The Gwenn ha du synthesizes the history of Brittany perfectly. By its colors and his design, however simple (what ensured its success), one finds the chronology of the various flags which followed one another from the Middle Ages onwards.

Dragon, premier drapeau breton• One supposes that at the high-means-age, the Breton Armoricans used flags incorporating the Red Dragon of the Brittonic peoples whom remained on the island of Brittany (Prydain, or Britain, currently the 'United Kingdom'). The Red Dragon appears on the Welsh flag to this day.

Croix noire• the black cross on white zone called today the Kroaz du, is regarded as one of the oldest flags used by the Breton people. The oldest documents attest that this flag dates from the 15th and 16th centuries, of which an older version appeared in battle in 1351. In the same way, the black cross as a maritime and navy flag appears on many sea charts of 15th century. One appears as an amalgam of the black crosses and hermines. Some say the black cross was probably used by the Cross Bretons at the time of the third crusade (1188).

Bannière de Pierre de Dreux, duc de Bretagne• the hermines, the heraldic signs of the clergy were adopted by Pierre de Dreux (1180-1243) (Mauclerc), who was initially intending to follow a religious career. He became "Prince Consort" of Brittany in 1212 by the arrangement of alliances. The armorial bearings of Dreux were used by the following Dukes until Jean III with the advent of his adaption in 1316 which replaces the chequered flag of Dreux with the hermines. These armorial bearings became those of the following Dukes and then those of Brittany as a province.

Gwenn ha du• the Gwenn ha du gathers elements of these various flags: black and white of the houses of sovereign Brittany and hermines of the ducal banners.

Article written by par Mikael Bodlore-Penlaez, translated by Dewi Prysor © www.geobreizh.com
Read too: Divi Kervella, Emblèmes de Bretons et des Celtes, Éd. Coop Breizh

 
   
 
• Bonne fête Firmin & Gwinian

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© Géographie de Bretagne • Tous droits réservés • 2005-2008
Réalisation : Mikael Bodlore-Penlaez & Divi Kervella [Crédits]
Ce site a été réalisé avec l'aide de l'Office de la Langue Bretonne
et utilise les formes normalisées des toponymes bretons